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Handel Alexander's Feast

HandelVocal Scores for Handel's Alexander's Feast 

 
The most popular vocal score for is shown below.  
 
Rehearsal recordings to help learn your voice part (Soprano, Alto, Tenor, Bass) are described below.
 
Full Video Version  to hear the work in full is also below

 

 

 

 

The Novello edition of Handel's Alexander's Feast, edited by Donald Burrows is in English for SATB

Vocal Scores Choral

Catalogue Number: NOV070446

ISBN: 9780853603481

Please click here if you wish to order and further vocal score information

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Alexander's Feast (HWV 75) is a choral work with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode Alexander's Feast, or the Power of Music (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke (whose score is now lost) set the original ode to music. 

Handel composed the music in January 1736, and the work received its premiere at the Covent Garden Theatre, London on 19 February 1736. In its original form it contained three concertos: a concerto in B flat major in 3 movements for "Harp, Lute, Lyrichord and other Instruments" HWV 294 for performance after the recitative Timotheus, plac'd on high in Part I; a concerto grosso in C major in 4 movements for oboes, bassoon and strings, now known as the "Concerto in Alexander's Feast" HWV 318, performed between Parts I and II; and an organ concerto HWV 289 in G minor and major in 4 movements for chamber organ, oboes, bassoon and strings performed after the chorus Let old Timotheus yield the prize in Part II. The organ concerto and harp concerto were published in 1738 by John Walsh as the first and last of the Handel organ concertos Op.4. Handel revised the music for performances in 1739, 1742 and 1751. Donald Burrows has discussed Handel's revisions to the score.[1][2]

The work describes a banquet held by Alexander the Great and his mistress Thaïs in the captured Persian city of Persepolis, during which the musician Timotheus sings and plays his lyre, arousing various moods in Alexander until he is finally incited to burn the city down in revenge for his dead Greek soldiers.

The piece was a great success and it encouraged Handel to make the transition from writing Italian operas to English choral works. The soloists at the premiere were the sopranos Anna Maria Strada and Cecilia Young, the tenor John Beard, and a bass called Erard (first name unknown).

 
For further information of Handel's Alexander's Feast please click here to visit the Wikipedia website
 


 

      

 

 

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Please click here to hear a ChoraLine sample for Alexander's Feast 

 

      

 

Choral Performance CD

If you wish to have a CD of Alexander's Feast to hear the whole work please click here and please do click on the video below to listen right away if you wish